Thursday, October 30, 2008

SUPPLICANT


SUPPLICANT
Originally uploaded by rsconnett

'SUPPLICANT' 
or "SUPPLICATION to the INEVITABLE"
10" X 10" (25.4 cm. X 25.4 cm) Acrylic on wood panel
October 2008, Los Angeles

My mind wanders to visions of a future after the angry Mohammedans have set off their suitcase W.M.D.'s, and a chain reaction has occurred, leaving not much other than a poor few folks who probably envy the dead.

In more logical thinking, I doubt any human life will remain after 'everything' hits the fan. The seeds of racial and religious hatred, territorialism and insouciance for the stability of our environment will eventually come to an inevitable conclusion. The human race will go out with a pathetic whimper, not a defiant howl. Of course, I hope this is many years away … but we can't be sure of that. We can't be sure of anything anymore.

It's fun to imagine a post-apocalyptic world full of tough survivalist guys and sexy women. Visions gleaned from TV and Movies where heros can overcome any obstacle. Suffering and anguish is what happens to "others". These "victims" are at fault for being too old, or too young, or not going to the gym enough. In fact, The entertainment media glamifies the horrors in subtle ways. Shows like "24" and "THE UNIT" are full of propaganda which bombards viewers with America's War Mongering, torturer policies and glorifies the militant 'Superman Survivalist Good Guy' bullshit. Perhaps a race of sociopathic sado-masochists will evolve and make this a reality?

Even though I know it's lethal crap, I laugh along with everyone, and love these shows. My trusty TIVO gets them all for me! I still cherish my adolescent fantasies of survivors who are willing and able to flourish in a Post-Apoc "Mad-Max" Stone Age. I dig all the destruction, murder, War, degradation and humiliation!

Here, in this painting, I have painted a meek survivor, supplicating his/her self to the more powerful, huge and emotionless cyborgian priest. In the future the Priesthood of Cyborgs will possess the final truth and be the providers for the remaining meek humans ( who have inherited* the Earth, but not what the Christians expected).

All prayers and sacrifices are made to the immortal machines. The machine clerics have become the spiritual leaders and oracles of the planet, the new religious hierarchy. The ultimate religion which believes in complete randomness. Their spiritual followers are the human detritus, remnants of the suicided race, their dwindling flock. And in the course of nature, the latter will perish, and the machines will rebuild and evolve themselves into a more perfect organism which will reign until something better comes along.

* Blessed are the worms, for they shall inherit our bodies" ~ rs connett. Circa 1997

Friday, October 17, 2008

MICROBIA III, CRUSTACEAPODS


MICROBIA III, CRUSTACEAPODS
Originally uploaded by rsconnett

MICROBIA #3, subtitled; "CRUSTACEAPODS"

24" x 24" (61 cm x 61 cm) Acrylic on Canvas, Completed Oct. 2008

This is third in a series which includes MICROBIA #1 (BLUE) www.vomitus.com/museum/NewVmmPages/BlueMicrobia_vmm.html ... and MICROBIA #2, (RED) www.vomitus.com/museum/NewVmmPages/RedMicrobia_vmm.html

This painting is a good example of my fascination with tiny primitive sea forms. (Real and imaginary)

With each painting I get a little closer to feeling satisfied with my work. After many experiments, and many derivatively influenced works, (influenced by the artists I admire) I have come to two (2) distinct styles that most dominate my paintings.

This painting is the type "A" painting I "escape" into. Thus, I suppose it is "escapist art", at least for me it is. I find the subjects challenging mostly in technical ways. The color, the placement of forms, the illusion of depth and transparency. These challenges keep my mind engaged during the process. There are a few references to things "unrelaxing", such as the machine fetuses in the spheres, and the food chain scenarios. However, the subject matter of the piece is purposely not provocative.

My other painting style, (I'll call it type "B") acts as a catharsis for my feelings of anxiety, fear, anger, etc. Usually these paintings concern the state of the world, and more particularly the state of my world. The cruelty, ignorance, foolishness and evil that obsesses and plagues me. Also, my dread of death and growing anxiety over it's briefness.

When I'm not escaping into my personal dream world, I'm thinking of the huge evil that shrouds our existence. War, crime, hunger, hate, violence and death. These things should not be ignored, but more than not, they are. Who's responsibility is it, if not an artists, to portray these in the unique venue available to him?

At this point in the evolution of my painting, I wonder what road I will take. Will my escapist fascinations take over? If so, will I always feel that I have betrayed my true perceptiveness, to feel safe with my "pretty pictures"? Or will my more substantive style take over, allowing me to express important feelings and ideas, yet salving me not?

Must I have only one focus for my work? I will try to allow my work to find it's own level.

RS ~ 10/17/2008