Wednesday, May 28, 2008

DREAMING MACHINES


DREAMING MACHINES
Originally uploaded by rsconnett

The most recent painting in my series of paintings concerning the "reality" of dreams.

I spend a lot of time dreaming. Any time I can, I dream. As a child I was scolded for "dreaming". So, this made me want to dream even more! Most of the time, I prefer my dreams to the waking world. But not the nightmares!

I often think that dreams may be the gateway to another world. Perhaps a parallel world just as important as the waking world which we call "reality"?

When one dies does he go into a dream from which he never awakens? Perhaps dreams foreshadow death? Have we all not thought this? Not a very scientific theory however. The brain activity that goes on during dreaming, ceases all together at death.

On the other hand, if brain activity is electricity, perhaps this activity moves on after the body machine runs down? Is electricity energy? Is energy immortal? Is this electrical energy in us, the current that travels via synapse junctions in the brain from one neuron to the next, the undying energy of a "soul"? … But I digress … I am speaking now of dreams, not souls.

A dream is the only alternative reality that all people visit. From Junkies to Presidents, we all travel to this other world, twisted and strange as it is.

Human beings are indeed "DREAMING MACHINES", (and hence my title for this painting)

My painting shows representations of what it is to dream, and what it is to be in a dream. This is just "remembering" my dreams. Dream remembrance is not at all accurate. Somewhere on the way back from the dream, On the "bridge" from our dream back to reality, we lose most of the details. Like a man trying to carry a big armload of tiny twigs on a windy day, most of them blow away by the time we get back. Trying to recall and paint the remnants excites me. It brings me closer to my dreams. However, it's difficult because almost all my twigs are gone!

Dreaming is seeing, being and existing within, and without, worlds merging known and unknown.

Painting is very much like dreaming. I must seek to find my dreams because they are my models!

Dreaming is feeling and seeing things only possible in dreams. In dreams we experience things which are beyond our waking imaginations.

In dreams we mix fragments from our past with an assortment of possible futures.

In our dreams we stir a "psycho-stew" of things that are, can be, may be, and never will ever be.

In dreams we see our "real' worlds, warped and molded by abstract ideas and notions we never "dreamed" we had. ;)

In dreams there are structures, both logical and ludicrous. Cities that stretch further than the eye can see. Places I've been and never been. Rivers, Lakes and Oceans. Wide open spaces and small dank claustrophobic spaces that can be a prison or an endless maze.

In dreams there be Monsters!

We call all this "The stuff of dreams". Does it come from within us, or somewhere else?

Dreams are both metaphor and analogy ... and neither. Dreams make no sense, and yet can be important revelations!

In this painting, a woman's mind explodes with dreams. Dreams float away like bubbles that escape into a vast and endless expanse. Behind her, nightmares are entombed in an ancient wall of dark fears.

In my dreams I often can not speak, so my mouth is covered. My dream world is endless. It rocks like a cradle on a silky sea, filled with visions of fish. I see my dreams through many eyes, and many lenses, (Like the many lenses I use when I paint.)

We have dreams of sexuality so bizarre they are unspeakable. We all have our secret dreams. Dreams that we will never tell. We will take these dreams with us to that final dream … or that final nothing.

To think that all the people who have ever lived have had hundreds of dreams! Each dream is unique. How many dream worlds have been dreamt of? And how many more dreams shall we have?


contact me at rsconnett@gmail.com

Wednesday, May 7, 2008

LITTLE BANG THEORY


LITTLE BANG THEORY
Originally uploaded by rsconnett

Acrylic & oil on gessoed panel. 8" x 10" (20.3 cm x 25.4 cm)
Orientation: Up to the viewer
Another in the series of "MICRO-PAINTINGS" created with powerful magnification glasses and the tiniest brushes available.
Completed in Los Angeles on 5/6/2008

This painting symbolizes the creation of my "tiny universe". It is a rendition of a bright mili-second burst of inspiration before it culminates in the creation of an idea. A bright and explosive germ of an idea! The first flash of synapse and neuron! The tiny explosion which is the beginning of a series of electronic agitations which culminate in a plan!! A plan of how I might re-invent reality in my art, and so also in my life!

Because of my chemical make-up, God, Fate or total randomness, I wish to live in a world apart from most other people. I live in a world that I have managed to create. A world apart from what I sometimes refer to as the "unreal reality". I live as far away as I can. (It's not easy!)

I sleep during the day, and work on my art at night. I avoid most human contact. I interact with my fellow man with great reluctance. I spend most of my time in my glorious studio! This is the place that I love most. My space for creating things and ideas! A place where I can think! It is here that I keep my easels, my paints, my computer and printers. It is where I write and paint and dream and scheme. It is where I read and wonder, admire and conspire! My sanctuary. My mind turned inside - out!

Typifying my nature is an obsession for cleanliness and order. Ironically, I love to be surrounded by clutter. However, on closer inspection, one will find that this clutter is organized in it's own logical manner. This is very much like my paintings. I am fascinated by transparent and translucent objects. These objects are very "CLEAN". I collect these small things in my studio. This is a secret collection. Yet, these objects hide in plain sight. (Orbs, water drops, bottles, light bulbs, paper weights, fuses and containers of liquid) Some of these are in this painting.

I also collect objects from the outside "reality". These items represent feelings of the ironic, contemptuous, and sardonic. (a mummified cat, giant spider in plexiglas, tiny skulls, rubber heads, animal taxidermy, photos of ridiculous movie and TV stars, old dolls, puppets, teeth, broken toys, dead fish, dried insects and human remains) These objects are very "UNCLEAN". These things serve as reminders that the world they come is a threatening, dangerous and UNPLEASANT place. I am, of course, also fascinated by these things. Some of these are also in the painting.

You, the reader, being of superior intelligence and comparative wisdom, (as no one else thinks about, or reads about my art) might feel well equipped, and even anxious to interact with "Unreal Reality" and all it's politicians, gangsters, psychopaths, crooks, cops, idiots, drunks, misfits, yuppies, beggars, thieves, horror stories, love stories and sad stories … and I wish you well! … but I'm sick and tired of the game. So I choose to drop off and start my own! This painting is the illustration of the birth of that idea.

I'm not completely unrealistic. I need money! So, as part of my "not-so-brave new world" I choose to include the internet. (And here I am!) In this wonderful, (very clean!) electronic infinity, I can trade the fruit of my mind for my daily bread. This electronic data transfer is also illustrated in the painting.

On the net I communicate mostly with my like and kind. I deal with interesting subjects, interesting entities and an environment which is perfectly clear, logical and ordered. The computer reality is as clean and clear to me as the inside of my translucenies, On the internet I can disseminate my art, the ultimate diary of my existence, written in pure metaphor, for the money I need. This is truly a gift for which I thank fate, or my chemical make-up, or God, or total randomness.

Thus, my "LITTLE BANG THEORY" is a farcical rendition of the bright beginning of a glimmer of an idea. The sparkle in my eye blown up and painted in my "MIRCO-PAINTING" style, using many pairs of powerful magnification glasses and the tiniest brushes I have.